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Andén

Client

Pasajes arts programme

Year

2024

Role

Design and painting

Team

Paloma and five painters, nine nights

A section of the Andén mural: a tortoise carrying a suitcase beside a hand-drawn plant, on flat green

Forty metres of grey tile, sixty thousand people a day, and a commute nobody enjoys. The brief was to make the passage feel like the start of a trip, not the end of one.

The ask

The city’s public art programme had one wall, nine nights of access after the last train and a budget for paint, not scaffolding. The mural had to read at walking speed, from both directions.

What I made

One long green river of travellers, plants and animals carrying their luggage, drawn as a single continuous line so it reads left to right and right to left. We painted it in silicate paint with masking tape and a projector, and I hid a small hand-lettered “you are here” every ten metres.

How it landed

It opened in March 2024. Station staff clean it every month, which is how you know people like it, and commuters now say they will meet “at the one with the tortoise”.

The full Andén mural running along a metro passage with commuters walking past
Close-up of the Andén mural: a painted heron beside a hand-lettered “you are here” sign

“People stopped wearing headphones in that passage. They walk slower and look up.”

Mónica Reyes

Curator, Pasajes public art programme

© 2026 Paloma Ríos. Drawn in Mexico City, printed wherever the client is.

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